Making another kind of red lip salve

In yesterday's post I talked about a recipe for lip salve that used Alkanet root as pigment. Here is the result;

Updated recipe
Almond oil, 22 ml
Coconut butter, 6 gram
Bees wax, 2 gram
Alkanet root (in powder), 3 ml
Rosewood oil, 3 drops Note: A bit late it has come to my attention that Brazilian Rosewood is an endangered species, so my recommendation is to leave the salve unscented or add a few drops of another scented oil.

Another red lip salve

The recipe
Take three ounces of Oil of Almonds, three quarters of an ounce of Spermaceti, and a quarter of an ounce of Virgin's Wax; melt them together over a slow fire, mixing them a little of the powder of Alkanet Root. Keep stirring till cold, and then add a few drops of Oil of Rhodium. (The Toilet of Flora, p. 159)

Breaking down the recipe
Oil of Almonds i. e. almond oil. A common oil in cosmetic for thousands of years. safe and keeps well.

Spermaceti Fat from Sperm whales that has been used as an stabiliser in cosmetics since the 18th century. Impossible to find, except perhaps in Japan, which I think is the only country that still hunts Sperm whales. Substitute with Saturated fatty acids (like coconut butter), Jojoba butter, Emulsifying wax or Cetyl alcohol.

Virgin's Wax Bees wax

Alkanet Root Cold, or blue-toned red pigment coming from a plant, Dyer's bugloss Considered safe and is used today as colourants both in makeup and food.

Oil of Rhodium Has nothing to do with the chemical element. Rhodium oil is also known as Rosewood and comes from the Brazilian Rosewood. Used in perfumes but is also healing and antiseptic. It also have a slightly deodorising effect. Considered safe. Note: A bit late it has come to my attention that Brazilian Rosewood is an endangered species, so my recommendation is to leave the salve unscented or add a few drops of another scented oil.


My thoughts
After making the lip salve with Iron oxide I would like to make one with a more cold red colour, as that suits me better. This recipe is wonderfully simple and I have everything at home except, of course, the Spermaceti. In the past I have tried to substitute it in pomade with Jojoba oil, which worked but made the pomade rather too runny. This time I plan to use Coconut butter as that is easy to pick up in the food store.

I'm going to an 18th century event next Saturday and I would like to have finished the lip salve then as well as another recipe for white face paint. So stay tuned...

Source: posters.co.uk via Elisa on Pinterest

Hair powdered revisited

I'm back after having been distracted by such trifles as pneumonia and marriage. The upcoming weekend will be spent in the 18th century and I thought it called for making this hair powder.

Updated recipe
375 g corn starch
47 g Orris root
60 ml Dolomit

Corn starch was used for hair powder in the 18th century, though at the end and mainly in USA, but today that is readily available in food stores while I have no idea where to get wheat starch. And starch is starch, so I didn’t feel bad about substituting it. Orris root was found in a store that caters herbs. The big difference is the original recipes call for calcinated and pulverized bones. It’s not something I have readily at hand, but what it is, really, is calcium. Dolomit that you buy in health stores is made out of calcium and magnesium and can be bought as a powder. As magnesium was used for white pigment in the 18th century too, I felt that this was the best substitute I could come up with.

I made a smaller batch than the original recipe, ¼ of it. The amount of Dolomit is an estimated guess for how much is 6 cuttlefish bones and a handful of bones when pulverized? Its main purpose is to whiten the powder and I would say that what shade you want is very much up to taste. I don’t think it would change the texture in any way if you added more white pigment.

A curious Varnish for the Face

The recipe
263. A curious Varnish for the Face.

Fill into a bottle three quarters of a pint of good Brandy, infusing in it an ounce of Gum Sandarac, and half an ounce of Gum Benjamin. Frequently shake the bottle till the Gums are wholly dissolved, and then let it stand to settle.

Apply this varnish after having washed the face clean, and it will give the skin the best lustre imaginable. (The Toilet of Flora, p. 213)

Breaking down the recipe

Brandy Spirit from distilled wine. As safe as any alcohol you can drink.

Gum Sandarac Resin from the tree Tetraclinis articulata. Used as varnish and incense. Safe.

Gum Benjamin or more commonly, Benzoin resin. Despite the gum, which indicates that it is soluble in water, it isn’t. Used as incense and as a fixative in perfumes. Vanilla-like scent. Safe.


My thoughts
This is a varnish, indeed, and ought to leave the face in the desirable shiny state. Presumably for people who didn’t want to use white face paint, but wanted the shininess. I’m curious about it and if I can find Gum Sandarac I will test it.

Source: 18thcenturyblog.com via Elisa on Pinterest

Making Spanish white face paint

This weekend I tried out the recipe for white face paint that I discussed here.

Updated recipe
Oil of Ben: 15 ml
Bees wax: 4 gram
Titanium dioxide with mica: 1, 1 ml

Everything melted together very quickly, but the amount of white pigment was far too little. The skin got a slightly pearlescent sheen to it, but it didn’t whiten the skin. Either the bismuth of the original recipe is more concentrated pigment, or I converted the amount wrongly. I added twice the amount of pigment and then got a shiny white substance.

An excellent Cosmetic for the Face

Another recipe for a white face-paint.

The recipe

6. An excellent Cosmetic for the Face.

Take a pound of levigated Hartshorn, two pounds of Rice Powder, half a pound of Ceruse, Powder of dried Bones, Frankincense, Gum Mastic, and Gum Arabic, of each two ounces. Dissolve the whole in a sufficient quantity of Rose-water, and wash the face with this fluid. (The Toilet of Flora, p. 5 or Abdeker, or the Art of Preserving Beauty)

Source: google.com via Elisa on Pinterest

Breaking down the recipe

A curious Perfume

The recipe
7. A curious Perfume.
Boil, in two quarts of Rose-water, an ounce of Storax, and two ounces of Gum Benjamin; to which add, tied up in a piece of gauze or thin muslin, six Cloves bruised, half a drachm of Labdanum, as much Calamus Aromaticus, and a little Lemon-peel. Cover the vessel up close, and keep the ingredients boiling a great while: strain off the liquor without strong pressure, and
let it stand till it deposits the sediment, which keep for use in a box. (The Toilet of Flora, p 6.)

I love perfume so I guess you are not surprised if I tell you that I’m very interested in 18th century perfumes as well. They lean toward heavy and animalistic and I would love to smell one. True, there are scents out there that are made after 18th century recipes, but they tend to be mono-scents like Lavender water and functions like a modern Eau de Toilette, more for freshening up than long-lasting scents. And indeed, in the 18th century scented waters were made to wash up with or dissolve makeup with, than for perfume.

(Picture source: http://www.antiquecolouredglass.info/Scent%20Bottles.htm(